The ads have become too long. Some of them are 40 seconds long, for a 3 minute video. That’s unacceptable. I have thought about it, and I think the best would have been a single 8 second ad, unskippable. But never more than that. That, I could take. But multiple ads (even if they’re just 5 secs each but you have to be vigilant to press “skip”), or long ads, or interrupting ads, are just too much to accept.

If society benefits from the democratization of art/books/etc then it’s not a loss, it’s a win for everyone. There were many jobs in the past that were lost because technology made them obsolete. Being a commissioned artist is one of these professions. However, there IS still going to be a SMALL niche for human-made original artworks (not made on ipads). But that’d be a niche. And no one stopping anyone from doing art, be it a profession or not. That’s the beauty of art. If you were to be a plumber, and robots took your job, you’d have trouble to do it as a hobby, since it would require a lot of sinks and pipes to play around, and no one would care. But with art, you can do it on the cheap, and people STILL like your stuff, EVEN if they won’t buy it anymore.

Nobody stops you to be an artist. You can still have a job that is still alive today, AND be an artist in your own free time. As I mentioned, I was a very successful collage artist (NYTimes pick for best book cover, lots of commissions, lots of print sales etc). I decided to leave the surrealness of collage behind because I enjoyed children’s illustrations more. Guess what, I don’t make a dime with my illustrations. I’ve spent $15k on art supplies in 5 years and I made $1k back. But that doesn’t stop me from painting nearly EVERY DAY. I share my work online, and whoever likes it, likes it. I don’t expect sales anymore. Be it because it’s not a popular look, or because of AI. It doesn’t matter to me, I still paint daily.

Not an issue either, my copied works were fully copyrighted. I wanted them to be cc-by, but I never really relicenced them, too much work for 1500 works.

I used to be a very popular and successful collage artist (I’m now an illustrator, I like painting more), and my work has been copied by AI. However, I don’t really care. In fact, I was musing once the idea of licensing everything under the CC-BY license. I don’t mind if AI copies my stuff, because if eventually this democratizes art (as it has already), all the better. Yes, these AI belong to corporations, but if they’re easy to access, or free to use, all the better. I want people to extend what I did, and remix it. I don’t want to be remembered as me, as a singular artist, that somehow I emerged from the void. Because I didn’t. EVERY artist is built on top of their predecessors, and all art is a remix. That’s the truth that other artists don’t wanna hear because it’s all about their ego.

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1959 mechanical cameras. An electronic camera from 1969. Polaroid SX-70 from 1976. A calculator from 1988: FX85P from Casio. And then the Atari Lynx from 1991.

I have. I still use the other ones occasionally for specific topics that don’t get much attention in the fediverse yet (e.g. ufos – I know, I know…), but overall, my main platforms are the fediverse, not the corporate ones.

The bread slice can be kept in a plastic bag to stay soft. The avocado must be sliced at only 1/3 (don’t expose the rest), put in a plastic bag with a bit of lemon juice the night before.

Smoked salmon in scrambled eggs, 1/3 avocado, a slice of toasted gluten-free bread, a few leaves of baby kale or spinach, orange juice (preferably freshly squeezed), and as many fruits you want, chopped into a plain yogurt. That’s the ultimate breakfast for me. I like it so much, that I often have it for lunch or dinner too.

I would never touch oatmeal, because I’m celiac: three Canadian research papers have found that even GF oats are actually contaminated in the field, and even if not, oats contain the avenin protein that is chemically too close to gluten, and so many immune systems mistake it for it, and react badly. My gluten-free bread mentioned above would have only rice flour, potato flour/starch, and tapioca starch, but no other grain apart from rice (I react to all other grains).

My husband and I canceled them all 3 days ago. We had Netflix, Prime, AppleTV+, Max, Paramount+, Hulu, Peacock, and Disney+. We’re moving back to Europe in November, so they all had to go. But even if we were to stay in the US, I’d probably just keep Prime, so I could just rent what I wanted to see and nothing else. Instead, I’ve stocked up with a few classic sci-fi Blu-rays to take with us in Europe, and we will have 2 US-coded BD players to keep us playing them until old age.

Thanks, I have been posting there for a while now! :-)

Traditional painting and illustration! While I now know that I never needed to spend more than $250 for professional-grade tools, I’ve spent about $18,000. As for sales in 3.5 years, they don’t account for more than $800. For that I mostly blame Instagram where it’s not possible to grow anymore organically and get an audience & potential customers. So I moved to the federated open source PixelFed now, if anyone’s interested in my book-style illustration: https://pixelfed.social/EugeniaLoli

Also, as a word of advice for anyone who wants to also do illustration and don’t want to do the same mistakes that I did. All you need is:

• The Lukas 24 watercolor palette of student grade ($18). It’s good enough and these days most paintings are scanned, so even if not all colors are lightfast, it’s not a big deal. Few people only buy originals, most go for prints. If you’re going to go selling originals, consider the Daniel Smith primaries set of 6 colors for $40.
• A set of brushes of different sizes, including a flat brush and round brushes including a long thin one to do details, $15
• Pencil, eraser, sharpener, $15
• A set of gouache. Best bang for the buck for professional quality is DaVinci brand ($10 per large tube), or if you want to go cheap, the Himi Miya set for $25. If you go for the cheaper stuff, it’s still advised to get a better quality white tube, so it’s truly opaque (the cheap stuff aren’t opaque enough). So go for Holbein or DaVinci white for $10-$15.
• Soft core colored pencils, set of 48+. $15 (you will mostly need the muted colors to enhance the painting with harder edges)
• Grey, sepia, black ink pens, and manga ink brush pens (for some types of paintings only), $40
• 100% cotton paper for watercolor $25, or any watercolor paper for gouache $10 (gouache works on any, watercolor is more nuanced).
• Brush watercolor markers, e.g. Tombows or Ecoline – in case you want to do such type of illustration too, $30 for a few muted colors.
• Masking fluid for watercolors, $10
• White gel pen and white Posca pen (0.7mm) for white highlights, $15
• Faber Castell white pencil soft pastel, $4
• Caran d’ache Luminance white colored pencil, $4 (the cheaper colored pencils above again don’t include a strong white)
• Caran d’ache Neocolor II white crayon, $4
• A ruler, to help you sketch.

I included various mediums above in white color because highlights are king in illustration, and each provides a different look and feel, depending on the painting. Happy painting!

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When I was 6 I told a lady that she was a teacher for a group of women under a government program to learn how to make clothes, that she was arrogant, snob, and know it all. She was. She was extremely “look how above you I am” kind of a person. I stand by it to this day, at age 50 now. My mom still remembers that day with terror, because she felt extremely ashamed that I shouted these words in the presence of everyone there. She forced me to apologize, and I did so, but I didn’t really mean it. She was terribly annoying.

I see. I rather use only open source apps on that phone then (I have one normal google one, and one totally de-googled and open source).

I can’t find it on F-Droid app store. I use a de-googled android phone, so no play store is there.